Volume One, Number
Four
January 2010
Dark Lady Poetry is an online literary
magazine, with a focus on poetry. With an eclectic taste,
anything goes, and we encourage up and coming writers in their
pursuit to be read. Good words are always
appreciated.
Dark Lady Poetry welcomes Two-Thousand Ten,
and all the possibilities a New Year can bring. Number four has
a global vibe, bringing together voluminously talented writers
from all over the world. From Lagos, Nigeria, we have an
incredibly vivid and beautifully apocalyptic poet, Jekwu Anyaegbuna. Also
joining the roster of fourth issue poets are U.K-bred
wordsmith, Paul Grimsley, and from
Limerick, Ireland, Edward O’Dwyer. But three is
never enough, so to add to the array of worldly poets, issue
Four is also home to a lyrically handsome poet from Taiwan,
Chen Chengli, and Brandon Swarrow, a sharp
poet from Pittsburgh, Pennsylvania.
Due to a high volume of submissions and a
marvelous amount of readers, issues will appear on a
monthly basis, with new issues live on the fifteenth of every
month.
Thank you again, to our readers and
contributors.
Be sure to check out the subscription feature and receive
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contests, and future events.
Jekwu
Anyaegbuna
Mindlessness
New Factory
Mouth Gun
Paul
Grimsley
Actor
Empty
Phrasing
Voices
Breaking
Edward
O'Dwyer
Femme
Fatale
Dark
Chen
Chengli
My Babe
Monster
Those Were The
Days
Brandon
Swarrow
Hugo's
Song
Ring on the Second
Hand
Jekwu
Anyaegbuna
Mindlessness
They discover
you’re a thief the day you bury
your mother. You
steal the coffin from that
carpenter, whose
head resembles nothing but
a long ridge full
of white weeds.
Sympathizers
discover and recover their
long-forgotten
properties you stole earlier: cups,
spoons,
kettles, brooms,
calabashes, shirts you are ashamed to wear,
towels.
You steal a bible,
and place it inside the stolen coffin for
your
mother to read
inside the grave. You go to confess to
that
clergyman who
doesn’t believe in God, yet he celebrates
Mass,
shouting, “Jesus,
Jesus, Jesus.” He tells you that Jesus created
God,
and you believe
him, believe his avowed
forgiveness.
Now your mother
enjoys the grave, but you’re restless over the
gold
that glitters on
her neck, around her fingers. You are night-is-dangerous.
Night
protects you as you
dig and steal the gold. You think your mother’s embalmed
corpse
should not be left
to rot away; you cut and auction parts of her
body.
Your next daughter
is your mother come back without limbs; and your
mother
says she wants to
punish you for amputating her corpse: a clear dream last
night.
Your next son is a
hawk, a fall-and-pick-and-run-and-hide: part of the
punishment.
Expect more because
your mother is a crippled corpse, a great disability in
heaven.
New
Factory
My new factory
manufactures Holy
Spirits,
so you can buy one
and get really possessed, and
cast out demons,
and make the blind see and
immediately
recognise that red is red, the
colour
of fire and blood.
You can resell my Holy Spirit
to someone else;
my products are transferable.
Never doubt how a
blind person gets to know
the colour of fire
is red: Has he ever seen fire
before being
sighted? Miracle. Has he ever seen blood
before?
Why does he say
the colour he sees is red?
The Holy Spirit I
produce remains impotent on
doubters.
Doubters don’t buy
my products; only believers do.
My new factory
manufactures salvation. This
product
is free but we
distribute it like raffle draws every
Sunday.
Employees that
fail to work on Sundays miss this
product,
and their bought
Holy Spirits, even the most expensive, do
not
bear enough fire
to attack demons. Demons rejoice when
such
absentees shout,
“Holy Ghost fire.”
In my new factory,
tithes and offerings are
constitutional.
The Holy Spirit
you purchase does not work for
you
unless your tithes
and offerings are consistent.
Several
rounds of offering
per Sunday ignites the fire in
your
purchased Holy
Spirit. After all, a hungry prophet only sees
doom;
a well-fed prophet
sees progress and prosperity.
My new factory has
been ordained by bishops, and
soon
it will grow into
a big church, provided we sell more
and
more Holy Spirits
to believers, gullible enough to
resell
and convert other
believers in another factory to see the
power
and potency in my
products. My new factory will move into
a
big warehouse
soon!
Mouth
Gun
You are the
cockroach that commits the
crime
for which rat is
blamed. You use your mouth to
cut
down a tree, to
cover your shame with the
leaves.
You are an owl
that brags, that dirty-mouthed
owl that says, “
Whenever my mother is to be buried, I
will
dig the grave with
my mouth and feed all birds
to the brims of
their stomachs.”
Then your mother
dies, suddenly, of hunger,
and boils come
visiting you; some sit on your
cheeks, others
inside your mouth. Your cheeks
are
bulging; your
mouth is bulging. The birds are
waiting to be fed.
And the grave has not been dug.
Your mouth is a
gun that aims at nothing, but shoots
itself.
Paul Grimsley
Actor
i paralysed
myself intentionally
this cat and mouse game
extended
pushed to lengths of infinity
chess board
we compartmentalise into a
division of eyes
of i, and different
perspectives
funhouse mirror directives that
work us divergent
broken apart where the decision
forks the road
for one room a mask; for the
other a shadow
and later, when the script
demands consolidation
i am picking shards with careful
fingers
and laying them aside in tiny
piles
like needle sharp smiles
scattered
poking around and pushing for the
gestalt
while the broken calculator gives
back wrong answers
i cannot collect myself,
together
pulled and pushed and left like
tide borne debris
they watch from the
outside
throwing voices into this echo
farm
trying to pull narcissus from the
snail shell
extricate from the downward
spiral
but the winding staircase
collapses
looking at myself ahead,
behind
my travelingunraveling mind
sat amongst
the fragments laughing loosely
Empty
Phrasing
poets and prophets of nothing
all your dog end days and
ramblings
stubbed out in the ashtray
smoking
debris in the beer
floating
it collects in the veins, that
crap
works to change the inner
workings
rust in an over wound
clock
that ticks as a bomb until
disintegration
our words scrawled on the wax
tablet
our thoughts erased on the cold
morning
philosophies dredged from the
beer mug
vagaries gathered from the
shaman's drug
all our vision quests are on an
in the maze centre
all these failed attempts to cut
the umbilical
inertia push from the centrifugal
impetus of
mother spinning like a lynchpin
in your world
Freud would be proud of your
denial
all the chauvinists stood on
trial
with their crocodile tears
standing stagnant
anything real in them left
dormant
they might make a stab at real
some day
with their flaccid pricks in
their hands
surrounded by empty
bottles
taking a piss test because of
some low rent whore
Voices Breaking
some
voices are lost in the passage of time
others shatter in brittle
instants
the fragile beauty tested,
stressed
pushed to the limits of a
straining note
that no one can hold
it is the resonant frequency of
dissemble
we waited to hear what was left
to say
but the half formed alphabet
soup
is a gobbledygook of
nothing
an incoherent suffering leaking
out
to stain the other
pages
to provide an unwanted
footnote
Edward
O'Dwyer
Femme
Fatale
She came strutting over so
boldly,
tapped him on his shoulder,
said she’d been watching all
night
and asked if he’d like to
dance.
“Sorry,” he said, “I’m seeing
someone,”
but she just said “don’t
worry,
I can keep a secret,”
her face one big seductive
smile.
“Come on, let’s have a
dance.”
“You don’t
understand,” he resisted
–
“It’s serious. We’re in
love.”
At this she fixed him in such a
stare,
unblinking mascara eyes.
“What’s her
name?” she
asked.
“Life,” he answered.
“Ah yes,” said she – “I know of her.
“But still,” she went on,
“I should probably warn
you,
I can be persistent
once I know what I want.
And I’ll always get it, sooner or
later.
Just wait and see –
I’ll have you.
“I’ll be there some
night
when you’ve had a big
row,
and you’ll be alone. You’ll turn
around
and there I’ll be,
and it’ll happen, you’ll
see.
“I’ve met many like you.
You’re no different,
and you wouldn’t admit it, I
know,
but you don’t need to;
I can see it clear as
day,
what you’re thinking now
–
that I’m much prettier than she
is.”
Dark
Though you may know me
as his bitter, resentful
brother
yet I only fall
and always do so gently,
never with force,
on all those things and in all those
places
he is so suddenly leaving,
taking back
his gifts of radiance, patina and
lustre
and heading off beyond horizons
to where you cannot follow,
and so
though you may know me
as his bitter, resentful
brother
yet I fall like consolation,
so gently
and always without force,
on all those things and in all those
places
he once was
but is no more,
and here I will stay - with you
-
being what I am
and sorry this is all I know how to
be,
until his shining face
rises apologetically over the
hills
and it’s time I go, and
though still you may know me
as his bitter, resentful
brother.
Chen
Chengli
My
Babe Monster
-To Thesis
I was a child unfamiliar to
life,
Married to my blind passion.
I was pregnant with you,
My invisible babe.
You had been sleeping all day
And growing up silently in my
brain.
You were a gluttonous babe,
Absorbing my train of thought
And my happiness and hopes
As your essential nutrition.
Hence I got a migraine
afterwards,
And fell ill with no fixed
schedule.
My heart broke each time I thought of
you,
My dearest babe.
When my youth was wandering on the
pages,
My dream could never escape from the hard
covers.
In the labyrinth of books,
How dazzling I was when I kept vomiting
words.
You were doomed to be
malnourished,
A fateful freak.
My babe monster,
I gave you birth under my
fingertips.
You, so unsightly, but do not
worry.
I would apply cosmetics on you every day
and night,
Until the venerable professors hold you in
their arms.
Yet I had to hold a public hearing for
you,
And disguised you as a hopeful child in
advance.
I would shout myself blue in the
face,
Until the stern judges throw an unwilling
smile to you.
Those Were the
Days
-To a Knowledgeable
Friend
We meet.
And climb.
15 floors high.
We chat.
We debate.
We smile.
We share movies, stories,
Theories, melodies,
And unforgettable memories.
We msn.
We email.
We click, type, and type.
Then we pause
And listen
To a final farewell.
Brandon
Swarrow
Hugo's
Song
Attention – She craves it
Money – She caresses it
Love – is non-existent
She has no ears just lips to suck the good
out of you
She has no tears
just hands to take it all from you
Daddy is a starving influential
maestro
Hugo Read This!
Values – They rape them
Manipulation – At its peak
Scheming – New ways to poison
If you would only just absorb
Society desensitized but every bit as
lethal
Hugo Read This!
Arrogance is tolerance - delusional
worship
Paparazzi heads hang like tiny
pears
Hallucinations, infatuations are just two
omens
Ignorant rivers of our
evolution
What’s that dripping from your sixth
finger?
It is the consequence – the most obsessed
of fans
Ring on the Second
Hand
Time flies by is
cliché you know,
Hey, where did that last minute go?
Are you better, are you wiser?
Make an effort to surprise her?
Twas’ precious then, forgotten now
As good a time to make a vow
A minute longer waste no more
Aging, saying you’re “just plain
bored”
“Forever’s” new profound lush tone
Marks each moment a new milestone
Idleness stops eyes open wide
Revealing bright and polished
diamonds
It’s beautiful to laugh and smile
Take a forbidden chance right now
Life ticks and talks and waves
goodbye
Achieve love most before you die
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